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Join date: Mar 26, 2021
Posts (14)
Aug 18, 2026 ∙ 7 min
Screenwriting Lessons from The End of Oak Street
“It was an unexpected, bonkers script to read,” Ewan McGregor said in a SciFiNow interview. The star of The End of Oak Street was pulled into the story for two reasons: it showed that the idyllic life of a 1980s suburban family was not as cheerful as it seemed and then there were dinosaurs. The film feels familiar and pushes nostalgia of simpler times before the internet, smartphones and information overload while creating something completely original and fresh. Writer/director David Robert...
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Aug 3, 2026 ∙ 6 min
5 Screenwriting Lessons from Spider-Man: Brand New Day
In Spider-Man: Brand New Day, Spider-Man (Tom Holland) has been busy. He spends his days – and most nights - fighting crime in New York City, trapping bad guys and leaving a trail of destroyed streets, flipped cars, shattered windows and chunks of buildings in his wake. But the police forgive him because he’s helping the NYPD nab the notorious villains that they’re simply not equipped to handle. Everyone loves Spider-Man. That’s Spider-Man’s life, not Peter Parker’s. But something’s missing....
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Jul 27, 2026 ∙ 7 min
How to Craft a TV Pilot That Hooks Readers
How Should You Structure a TV Pilot? Writing a television pilot is one of the biggest challenges a screenwriter can take on. Unlike a feature film, a pilot has a much larger job to accomplish. It needs to introduce viewers to a new world, establish memorable characters, create an engaging conflict, and convince the audience there's enough story to continue for multiple episodes—or even multiple seasons. Although there isn't one universal formula for writing a successful pilot, most television...
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